تیسرا مرحلہ:اب یہ تیسرے مرحلے میں پایہ تکمیل کو پہنچی ہے جو مفتی شبیر احمد قاسمی صاحب مدظلہ (شیخ الحدیث و رئیس دار الافتاء جامعہ قاسمیہ شاہی مراد آباد ، ہندوستان )کی تگ و دو اور محنت و جستجوکے بعد ہماری دسترس میں ہے۔
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Karachi’s heritage dates back again to your early 18th century when it absolutely was a little fishing village known as “Kolachi.” Its strategic coastal location manufactured it an important trading submit for neighborhood fishermen and merchants.
The Malīr River, a seasonal stream, passes from the japanese Component of the town, along with the Layāri River, also seasonal, operates from the most densely populated northern portion. Some ridges and isolated hills occur inside the north and east; Mango Pīr, the highest elevation, is 585 ft high.
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The beach locations can also be renowned for being the nesting sites of sea turtles, giving a unique purely natural encounter. Website visitors could also rent Karachi Beach front huts along the shoreline to get pleasure from an prolonged keep.
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(ب)مکتبہ رضا کانپور، انڈیا میں موجود مخطوطہ:یہ مخطوطہ جہازی سائز کی دو جلدوں میں ہے، اس مخطوطے میں بھی اغلاط کم ہیںلیکن خط بہت باریک ہے جس کی بناء پر پڑھنا دشوار ہے۔
مؤلف کی عادت یہ ہےکہ وہ ایک مسئلہ کو مختلف فقہاء کے اقوال کے ساتھ ذکرکرتے ہیں چنانچہ ایک جگہ لکھتے ہیں:
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As being a renowned treatise in educating calligraphy, “Midād al-Khutūṭ” continues to be regularly applied and referred to by present-day scholars and calligraphers as a result of currently being a piece ascribed to Mīr-‘Alī Hirawī, the prominent Persian calligrapher. The present essay would examination the authenticity of this kind of do the job and reassess this treatise’s position while in the historical past of calligraphy. The results suggest that “Midād al-Khutūṭ” just isn't a real treatise instead of a work by Mīr-‘Alī Hirawī, but a additional reading inadequate, disorderly adaptation of other treatises in calligraphy. check this The key component of this perform continues to be taken from “Savād al-Khaṭ” by Majnūn Rafīḳī Hirawī, mingled with a few notes and topic matters from other treatises, like “Rasm al-Khaṭ” by Majnun Rafiḳi Hirawī, “Usūl-i Khaṭ” by ‘Abd Allāh Ṣayrafī and “Usūl wa Ḳawā’id-i Khuṭūṭ-i Sitta” by Fath Allāh Sabziwāri. Perception inside the authenticity of “Midād al-Khutūṭ” treatise has introduced about some Wrong evaluations and analyses, Specifically of Mīr ʿAlī Hirawī’s and Sulṭān ῾Ali Mashhadi existence and occupation by scholars in the field of calligraphy.